My Fair Lady (1964)
Starring
Rex Harrison and Audrey Hepburn
Director
George Cukor
Awards
Academy Awards
Best Actor - Rex Harrison
Best Art Direction - Beaton
and Gene Allen
Best Cinematography - Harry
Stradling
Best Costumes - Cecil Beaton
Best Director - George Cukor
Best Picture
Best Score Adaptation - Andre
Previn
Academy Award Nominations
Best Adapted Screenplay
Plot Synopsis
Originally adapted from playwright George Bernard Shaw's Pygmalion,
My Fair Lady has become one of the most popular musicals of all time. Egotistical
linguist Henry Higgins bets that he can transform a "lowly" Cockney flower girl
into a lady in time for an important society ball. Soon the confused and amazed Eliza
Doolittle's been washed and scrubbed, dressed in pretty clothes and tutored in speech
until she's ready to fall in exhaustion. Henry Higgins' gamble may yet pay off, but is it
really the best thing for Eliza?
Film Notes
"Hollywood's legendary "woman's director," George
Cukor (The
Women, The
Philadelphia Story), transformed Audrey Hepburn into
street-urchin-turned-proper-lady Eliza Doolittle in this film version of the Lerner and
Loewe musical. Based on George Bernard Shaw's play Pygmalion,
My Fair Lady stars Rex Harrison as linguist Henry Higgins (Harrison also played the
role, opposite Julie Andrews, on stage), who draws Eliza into a social experiment that
works almost too well. The letterbox edition of this film on video certainly pays tribute
to the pageantry of Cukor's set, but it also underscores a certain visual stiffness that
can slow viewer enthusiasm just a tad. But it's really star wattage that keeps this film
exciting, that and such great songs as On the Street Where You Live and I
Could Have Danced All Night. Actor Jeremy Brett, who gained a huge following later in
life portraying Sherlock Holmes, is quite electric as Eliza's determined suitor." (Tom
Keogh, Amazon.com)
Released theatrically in the USA October 21, 1964. Named Best
Film by the New York Film Critics and one of the 10 Best Films of the Year by the National
Board of Review. The Broadway musical My Fair Lady was staged by Moss Hart,
produced on the stage by Herman Levin, and starred Julie Andrews, Rex Harrison, and
Stanley Holloway. George Bernard Shaw's straight play Pygmalion
was adapted for the screen in 1938, starring Leslie Howard and Wendy Hiller. Marni Nixon,
who dubbed Audrey Hepburn's singing voice, previously dubbed Natalie Wood's singing voice
in West Side Story and Deborah Kerr's in The King and I.
Many speculated
that Hepburn was passed over for the Academy Award nomination because she did not do her
own singing. The voice for Jeremy Brett, who played Freddie Eynsford-Hill, was supplied by
Bill Shirley. Cecil Beaton's screen credit read "Costumes, Scenery and Production
Designer," which, in actuality, referred to his design work for the stage version of My
Fair Lady. For the film, he was responsible for Costumes, Makeup and Hair. Dr. Peter
Ladefoged from UCLA served as phonetics advisor. Actor Wilfrid Hyde-White served as
"Ascot advisor." Special photographic effects by Linwood G. Dunn and Film
Effects of Hollywood. Filmed at the Warner Bros. Studios. Estimated budget: $17 million.
Warner Bros. reportedly paid $5.5 million for the rights to the musical. Additionally, the
owners of the stage property were to receive 47.5% of all proceeds after the first $20
million. Color by Technicolor and shot in Super Panavision 70. Original aspect ratio:
2.35:1. Utilized RCA six-track magnetic stereophonic sound. Additional cast: Baroness
Veronica de Goldschmidt-Rothschild (Queen of Transylvania), Moyna Macgill (Lady
Boxington), Miriam Schiller (Landlady), Ayllene Gibbons (Fat Woman at Pub), and Major Sam
Harris (Guest at Ball). Additional crew: Sergei Petschnikoff (unit manager), Susan Seton
(dialogue supervisor), Joe Wiatt, Eleanor Abbey, Norma Brown, Geoffrey Allen, Bob
Richards, Anne Laune, and Betty Huff (Wardrobe), Gerda Roberson (costume design
coordinator), Leah Barnes (milliner), Ed Graves (production illustrator), Max Bercutt,
Carl Combs, and Mort Lichter (unit publicists), Bob Willoughby and Mel Traxel (stills),
and Frank Flanagan (gaffer).